Jacob Elordi Opens Up About Wuthering Heights in Esquire UK

Jacob Elordi appears on the Esquire UK cover, discussing Wuthering Heights while showcasing relaxed tailoring and modern menswear style.

Jacob Elordi’s Esquire UK cover lands with quiet confidence. There’s no excess styling, no forced statement. Instead, the Australian actor leans into restraint, letting fit, texture, and presence do the work. It’s a cover that reflects where Elordi is right now, thoughtful, self-aware, and increasingly comfortable with subtlety.

For the March April issue of Esquire UK, Elordi appears in a series of looks that balance classic menswear with relaxed modern tailoring. On the cover, he wears a softly structured beige suit, worn loose rather than rigid. The jacket sits comfortably on the shoulders, slightly oversized, paired with a pale blue shirt left casually unbuttoned at the collar. The overall effect feels intentional but unforced, more lived-in than polished.

The suit’s neutral tone plays into the idea of modern elegance without leaning formal. There’s no tie, no sharp stiffness. Instead, the look relies on proportion and fabric. The trousers fall straight, the jacket drapes rather than clings, and the styling suggests confidence without performance. It’s the kind of outfit that looks effortless precisely because it’s so considered.

Inside the magazine, Elordi continues this thread of understated style. In one image, he’s seated on a stool wearing a crisp white button-down shirt with relaxed gray trousers. Sleeves are pushed up slightly, the shirt worn open at the neck. The simplicity of the outfit puts the focus on silhouette and posture rather than trend. It feels timeless, almost cinematic, echoing the actor’s growing gravitation toward roles that carry weight rather than flash.

Another standout look features Elordi in a brown leather jacket layered over a light knit top, paired with neutral trousers. The jacket brings a subtle toughness to the shoot, grounded and classic, without tipping into retro costume. The leather is smooth and structured, with clean lines and functional pockets, reinforcing a masculine edge that still feels refined. It’s a look that bridges generations, referencing old-school leading men while staying firmly rooted in the present.

Across the shoot, grooming remains minimal. His hair is worn slightly tousled, natural rather than sculpted. Makeup is barely there, allowing texture and expression to remain visible. The styling choices reflect a broader shift in menswear and celebrity fashion, where authenticity and ease have replaced overt styling tricks.

The timing of this Esquire cover is notable. Elordi is currently stepping into one of literature’s most complex male roles, Heathcliff, in Emerald Fennell’s adaptation of Wuthering Heights. In the interview, conducted by Fennell herself, Elordi opens up about the anxiety that came with taking on such a large and emotionally demanding project.

He admits he was afraid of the role, not in a dramatic sense, but in a grounded, human one. He speaks about the pressure of stepping onto massive sets with hundreds of crew members relying on his performance. That fear, he explains, comes from wanting to be prepared enough, having read enough, studied enough, understood enough.

There’s a vulnerability in how he talks about acting, acknowledging that doubt never fully goes away. Elordi describes an ongoing imposter feeling, a sense that you might never quite be what people expect you to be. It’s an honest admission that contrasts sharply with the confident image often projected onto leading men in Hollywood.

His reflections stretch back to his teenage years in boarding school, which he describes as restrictive. Cinema and literature became his escape, a way to explore ideas and emotions that weren’t permitted in his everyday environment. He talks about discovering subversive films and books, and how theatre became one of the few places where expression felt allowed.

Those experiences shaped his relationship with acting. He explains that early praise for doing something non-sport related gave him the courage to keep going. Reading Waiting for Godot was a turning point, opening his eyes to what performance and storytelling could be.

The Esquire shoot mirrors that inner world. Nothing feels overly styled or loud. Instead, the clothes feel like extensions of the man wearing them. Clean tailoring, classic pieces, muted tones. It’s fashion that supports the story rather than competes with it.

As Elordi continues to take on more challenging roles, his public image is shifting as well. He’s moving away from the idea of instant heartthrob and toward something more layered. The Esquire UK cover captures that transition perfectly. It shows an actor who is still evolving, still questioning, and still refining both his craft and his personal style.

The March April issue of Esquire UK, featuring Jacob Elordi, is set to hit stands on February 18. It’s a portrait of an actor at a turning point, dressed not for spectacle, but for substance.