Chappell Roan Wears Yellow Lace and Pink Satin at Her Charity Show

Chappell Roan treated night two of the Super Graphic Spectacular like a dress-up party where she was the only one with a key to the good fabrics. The show took place on Thursday, October 22, at the Shrine Auditorium in Los Angeles. By the end of the two nights, host Caleb Hearon announced that the fundraiser had brought in about $2 million for her Midwest Princess Project, which supports trans youth and LGBTQ+ communities.

She had help with the wardrobe. Genesis Webb and Hunter Clem styled her, and the outfit was designed by James Nguyen Alexander Cole.

The first look set the mood. It was a yellow lace tulle dress covered in sequins and little 3D flowers in pastel shades, with a skirt that faded from butter yellow into a grey-blue hem. The flowers climbed up the straps too, so even the close-up shots looked like a garden party. She wore gold satin shoes with it and left her floral arm tattoo on show.

Her beauty look matched the dress. Roan’s hair was a wavy orange-red with bangs, and she wore white winged liner with soft pastel shadow. It looks sweet from a distance and a bit unhinged up close, which is kind of her brand.

Then the wardrobe changes started, and they kept coming. At one point she sang in a dusty-pink corset covered in beaded lace, worn with a high-neck lace top underneath. It was the quietest look of the night, though “quiet” is relative when you’re standing under stage lights in beading. Later she wore a metallic green-gold robe, or maybe a cape, over pink lace and satin. A chandelier hung behind her in the photos, which fits the palace-ballroom staging that reviewers described from night one.

Green was clearly a theme. She also wore a sequined green jacquard jacket with her long orange curls pulled to the side, and it looked rich and a little old-Hollywood next to the pastel dresses.

The showstopper was the pink-to-copper robe-dress. It was iridescent satin worn over a lace slip, with ribbon ties at the front, a gold rose brooch and gold lace-up heels. For the finale-style moment she piled on a green metallic ruffled coat with pink ostrich-feather sleeves, still over the pink satin, and finished it with gold lace-up pumps. It’s a lot of coat. It’s also very Chappell, and nobody in the room seemed to mind.

The music was just as busy. She opened with “Super Graphic Ultra Modern Girl” and played for about 70 minutes, pulling mostly from The Rise and Fall of a Midwest Princess alongside newer songs like “The Subway” and “The Giver.” Caroline Polachek brought her out for a surprise duet on “Look at Me Now.” PinkPantheress turned up to perform “Tonight,” and Lola Young joined her for “Picture You.” Olivia Rodrigo couldn’t be there because she’s on her own tour, so Roan sang both verses of their “Expectations” remix herself. The night ended with “Pink Pony Club,” and she pointed out her mom in the mezzanine. If you want to see how those two looked together, here’s what Olivia Rodrigo and Chappell Roan wore in the “Expectations” video.

The openers and host were part of the night too: MUNA, Alisa Mae, Fantasia Royale Gaga and Sweaty Eddie, with Hearon keeping things moving. The crowd of just over 6,000 dressed for it. Fans showed up in sequins, heavy makeup and red wigs, and plenty of them copied her looks. The two nights were sponsored by Cash App and Visa, and net proceeds go to the Midwest Princess Project.

Roan launched the project in 2025. In its first year it raised more than $800,000 and supported over 60 organizations, so $2 million in a weekend is a big jump. Her stage looks are famous, but the cause is the point here. The money is meant to fund what the organization calls its next chapter.

For anyone new here, Roan (Kayleigh Rose Amstutz) is the Missouri-born singer behind “Good Luck, Babe!” and “Pink Pony Club,” and she won the Grammy for Best New Artist. Her red-carpet looks are just as dramatic as her stage ones. Take a look at her red latex mini dress at MISTR’s National PrEP Day party, or go back to her sheer Mugler look at the 2026 Grammys.